Zia-Priven Design, established in 1999, by husband and wife design team, Marcia Zia and Paul Priven, creates beautifully hand crafted lighting with a classically modern aesthetic.
The graceful juxtaposition of luxurious materials such as natural rock crystal, Spanish alabaster, hand cut Czech crystal and the highest quality silks, with the clean, simple lines of architectural design have become a Zia-Priven hallmark. “I am inspired by the quiet details. To me luxury is found there,” says Zia. It is an uncluttered glamour, elegant and modern…timeless lighting that encompasses both warmth and sophistication.
Each and every Zia-Priven product is handmade in the USA by a team of meticulous craftspeople, using the finest materials, with the utmost attention paid to every detail. Zia-Priven understands the requirements of interior designers and architects and welcomes custom modifications to the line. “Our clients need to know when they call us, we can do anything. What is most important for us is to create a unique piece for their unique project,” says Priven. “Our team can modify any of our pieces, or take their original concepts all the way from idea to installation.”
Past projects include the Fontainebleau Hotel & Resort, Grand Hotel Stockholm, Red Rock Casino Resort and Spa, Loews Santa Monica and Wynn Las Vegas. Some of their other work includes designing a comprehensive line of lighting for Oscar de la Renta, collaborating with world-renown designer Geoffrey Bradfield to create a line of lamps that harmonize with his Millennium Modern Lucite furniture collection, and working with other top designers that include Jamie Drake, Benjamin Noriega-Ortiz, Roderick Shade and Mark Zeff.
Zia-Priven has received editorial accolades in over 100 design and retail publications including Interior Design, Architectural Digest, Elle Décor, House Beautiful, The New York Times and The Los Angeles Times. They were also featured in the Reference text Ultimate New York Design, as well as a live interview on the Early Show on CBS.

Photo Credit: Michelle V. Agins
The New York Times